| Asia Film Financing Forum Announced 25 Projects to Endorse in 2008 (MonkeyPeaches Exclusive) | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| January 5, 2008 | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Hong Kong International Film Festival Society (HKIFFS) and Hong Kong Trade Development Council (HKTDC) just just announced 25 film projects they will endorse at this year's Asia Film Financing Forum (HAF), from March 17 to 19, during the annual Asian Film Awards and Filmart.
Many recognizable names are among the directing talents behind these projects. Silver Berlin Bear winner Li Yan, who has been telling stories about the dark side of today's China with Blind Shaft and Blind Mountain, will bring us Mang Liu. Pang Ho-cheung (Exodus, Isabella, Men Suddenly in Black), who tells stories with stylish humors, will talk about The Bus. Ning Hao, who made "artistic" film Mongolian Ping Pong, surprised everyone with action-packed comedy Crazy Stone, and now making a bigger action packed comedy Silver Medalist (a HAF project back in 2005) will have 7 Dreams. Woman director Carol Lai Miu-suet (Naraka 19, Floating Landscape, Glass Tears) is making Shuffle. Cai Shangjun, screenwriter of Shower and Spicy Love Soup, who made his directorial debut with road movie The Red Awn, is having Adrift Time. Alexi Tan, made Blood Brothers with an all star cast, will do a Detour. Nakata Hideo, director of the original Ringu series and The Ring Two, a Hollywood remake of Ringu, is working on Gensenkan. Park Chan-wook, of Cannes winner Old Boy, has an untitled project in mind. Brillante Mendoza, whose Foster Child drew international attention at Cannes, will provide Service.
Among
projects the forum endorsed in previous years, many of them
have gained noticeable international
recognition.
Lost in Beijing, with a story
of a couples mirages from the countryside and a newly-rich
couple in Beijing, written and directed by Li Yu, was premiered
in competition at the 2007 Berlinale, collected an Honorable
Mention for its script at the Tribeca Film Festival and sadly
banned in China just last week. Zhang Yang’s
Getting Home, about a
virtually broke old age migrant worker taking a long journey to
send the body of his dead friend home, won the Ecumenical Jury
Prize in Berlin. Lee Kang-sheng’s Help me Eros,
about a marijuana grower falling in love with a voice over a
suicide helpline and starting an erotic and psychedelic
relationship with a girl working downstairs, opened in
competition at the 2007 Venice Film Festival.
The Most Distant Course
(aka Longest Distance),
featuring three individuals suffering from alienations and
heartbreaks, by compatriot Lin Chin-je, walked away with the
Critics’ Week Award at Venice. Kumakiri Kazuyoshi’s
Freesia, a
futuristic thriller with the story of a young man and a young
women who work as professional assassins, premiered in Rotterdam
in 2007. Kenneth Bi's The Drummer,
about an exiled young man learns the ancient kill of drum
playing which changes him spiritually, became the first Hong
Kong film selected for competition at the Sundance Film
Festival.
Several projects are expected to wrap soon, including Lu Chuan’s Nanking! Nanking!, a new film about the Nanking/Nanjing Massacre carried out by the Japanese during the winter of 1937/38, Ning Hao’s Silver Medalist (originally titled Red Bicycle), Brain Tse's annimation Wee-Wee the Poop, about a tiny piece of poop who drams about becoming a sausage and Ekachai Uekrongtham's The Coffin, about a young man seeking the true about a mysterious woman and a boy by lying inside a nailed coffin.
Clara Law’s
The Messenger,
with two parallel stories, a detective uncovering the identity
of a clairvoyant woman and a woman and a deserting soldier
running during a war, starring Guy Pearce and Radha Mitchell,
will go into production in July 2008. Yu Lik Wai’s
Plastic City,
about the struggle of the adopted son of a retail tycoon who
runs a black market empire, will start shooting in San Paolo,
Brazil in February 2008, is co-produced by Xstream Pictures
(Mainland China / Hong Kong), Brazil’s Gullane Filmes, Hong
Kong’s Sundream Pictures and Japan’s Bitters End, with Japan’s
Odagiri Joe and Chinese mainland’s Huang Yu in the lead.
Related
Stories:
Kong's Asia Film
Financing Forum ( I )
(MonkeyPeaches Exclusive)
25 Projects Backed by Hong Kong's Asia Film
Financing Forum ( II )
(MonkeyPeaches Exclusive)
25 Projects Backed by Hong Kong's Asia Film
Financing Forum ( III )
(MonkeyPeaches Exclusive)
25 Projects Backed by Hong Kong's
Asia Film Financing Forum ( IV )
(MonkeyPeaches Exclusive)
25 Projects Backed by Hong Kong's Asia Film
Financing Forum ( V )
(MonkeyPeaches Exclusive)
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